About John Hallett
Postgraduate coursework student profiles
Artist statement
To me environmentally sustainable design is more than simply selecting eco-friendly materials, designing for longevity and disassembly. I see a need for a more holistic approach centred on the re-emergence of small-scale local industry drawing influence from both modern technological advancements and traditional artisan practices. Through this skills collaboration working on a local scale, a greater level of awareness and responsibility for environmental issues is achieved; stewardship roles are realised.
This current body of work is aimed at articulating this idea into a tangible, marketable outcome. It investigates the reality of designing for a specific place and community using materials and processes that are either native to that locality or are strongly suited to it. This concept draws on the common practices of many indigenous cultures the world over.
I am in the process of investigating practical concepts that analyse the biodegradability of my designs and the material wastage of different processes. For example, sourcing biodegradable adhesives or, through appropriate timber selection, reducing the material wastage inherent to wood turning.
Theoretically I am interested in my designs translating a historical narrative to the user. The purpose of this narrative, explaining the origins of a piece and its environmental benefits, is to instil a greater sense of worth on the piece, leading to greater care and maintenance and hence increased longevity.
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