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Past show

surface, given the face

Akira Akira

John Barbour

Linda Lou Murphy

Angela Valamanesh

Aldo Iacobelli

Katie Moore

Andy Petrusevics

 

Curated by Linda Marie Walker

 

Exhibition invite (PDF file 127kb, download Adobe Acrobat)

Opening night:
Wednesday 11th October 6 - 8pm
SA School of Art 150th Anniversary Address: Professor Ian North

Open:
12th - 26th October
Tuesday - Friday 11am - 5pm
Saturday 1 - 5pm

Live Catalogue Event (including performances):
Saturday 14th October 2 - 4pm

The artists and curator together with:
Stephen Whittington
Teri Hoskin
Peter Bishop

The premise for the exhibition is based on research Ive been doing for some time on what Ive termed an archaeology of (built/composed) surfaces; it has particularly involved a writing practice. This research was assisted by a grant from the Division of Education, Arts, and Social Sciences Performance Research Fund (UniSA); this exhibition is one of its major outcomes.

An archaeology of (built/composed) surfaces arises from what is an issue (and pleasure) of appearance, and a contemplation of appearance as a sense in its own right not a cover or patina or faade disguising a greater meaning, e.g. depth. Much contemporary philosophy, cultural theory, and architectural theory, is concerned with surface and appearance in terms of abandonment, devastation, neglect, and desecration (and, of course, general wear and tear, and imperatives of development) as well as the broader inquiry into what close-attention toward that which actually arises, and is evoked, in the physical and non-physical world would be, or require, to re-position (bring to life) such human and civic qualities as care, concern, respect, tolerance, criticality, and non-oppositional dialogue (these are qualities which affect political, economic, and cultural issues). All of these quite intricate qualities are, and have, big properties (intellectual, emotional, physical). An exhibition cannot do more than touch upon such big properties.

The work of the seven artists touches upon, in various degrees, something that for me evokes this sense of surface and touches upon also a concern with how (and why) the world appears, or seems to appear from time to time, however momentary.

The Live Catalogue Event is meant to momentarily stand for (or appear as) the exhibition catalogue. At this event the artists will be present, and may talk briefly about their work. As well, there will be performances. Three more participants have been invited to present their work at this event; they would have been the writers for a paper catalogue. Stephen Whittington will present a sound performance; Teri Hoskin will present writing; and, Peter Bishop will deliver a paper titled: Scratching around (or beyond the kiss of life) Scratching, rubbing, flecking, picking, glancing These are all possible ways to reface and reanimate both the world and psyche. It might be that several things happen at once.

More information about speakers:

Teri Hoskin (PDF file 16kb, download Adobe Acrobat)

Stephen Whittington (PDF file 195kb, download Adobe Acrobat)
Serious Immobilities: On the centenary of Erik Satie's Vexations

Peter Bishop
The Alchemy Website (see illustration #8)

 

Akira Akira, Still from an unrealised animation 2006

Akira Akira
Still from an unrealised animation 2006

John Barbour, detail, TRIBUTE (A Bibliography for Bees) 2006

John Barbour
detail, TRIBUTE (A Bibliography for Bees) 2006

Linda Lou Murphy Pleatpeice 2006

Linda Lou Murphy
Pleatpiece 2006

Angela Valamanesh detail, Outside and Inside 2006

Angela Valamanesh detail, Outside and Inside 2006

Aldo Iacobelli, Interior II 2006

Aldo Iacobelli
Interior II 2006

Katie Moore, Landscapes 1993 - 2006

Katie Moore
detail, Landscapes 1993 - 2006

Andy Petrusevics, Otto at the Weimar Room 2005

Andy Petrusevics
Otto at the Weimar Room 2005

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