Publications
SASA Gallery catalogues can be viewed for
past exhibitions.
Introductory text is by Dr Mary Knights, Director.
Catalogue design and production by Keith Giles, Curatorial Manager.
Download Adobe
Acrobat to view these catalogues.
2012
Lost for words
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This exhibition brings together five artists who use text or refer to language in their work, without committing to text art as a practice or text as a medium. As the title suggests, the work in this exhibition will seek to extend and explore the limits of language. Editor: Dr Mary Knights Artists: John Barbour, Louise Haselton, Olga Sankey,
Simone Slee and Sandra Uray-Kennett |
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SA vertical SA
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This multi dimensional : exhibition : performance : is happening in the staircase and foyers of the Kaurna Building. Sounds will be transmitted via WaVers on resonating iron, glass and wooden surfaces, planes of cling film and the building itself. Johannes uses wireless connections - bluetooth, iPhone, iPad and flat WaVers and sings corresponding to the Indian note Sa. Editor: Dr Mary Knights |
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Objectified
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Objectified engages with Donald W Winnicott's ideas about 'object attachment', and the role of 'transitional objects' as children separate the 'me' from the 'not me'. Editor: Dr Mary Knights Artists: Heidi Kenyon, Will Nolan, Pip and
Pop, Tristan Louth-Robins, |
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Walking with Alice
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Inspired by the Czech animator Jan Svankmajer's film Alice, this exhibition Walking with Alice proposes to build and put forward separate psychoanalytical areas (within the gallery space) looking at three artist's expressions of the unconscious/conscious self whilst pertaining to the imaginary world of Alice in Wonderland. Editor: Dr Mary Knights Artists: Linde Ivimey, Noel McKenna, Simone Kennedy
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conversation in ellipsis
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A multi-site "material conversation" dealing allegorically with
notions Editor: Dr Mary Knights Artists: Morgan Allender, Sally Arnold, Nic Brown,
Cathy Frawley, |
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Post Skangaroovian
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Post Skangaroovian seeks to explore the legacy of a 'new wave of stylish, post modern ceramics' recognised as particular to Adelaide studio ceramics in the period of 1968 to 1978. (Judith Thompson, Skangaroovian Funk, 1986) Editor: Dr Mary Knights Artists: Gus Clutterbuck, Jo Crawford, Margaret
Dodd, Curators: Jo Crawford, Peter Johnson and Bruce Nuske External Scholar: Daniel Thomas AM, Curator and Emeritus Director of the Art Gallery of South Australia PDF file (1.17MB) |
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2011
Vague Possibilities
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The curatorial premise of the exhibition Vague Possibilities draws on the French curator and critic Nicholas Bourriaud's (1965- ) ideas of Relational Aesthetics and Surrealist notions of chance and play. The five selected artists are invited to respond to a curatorial brief that includes developing artwork (installation, video and performances) for staging in the gallery that set-up scenarios that engage the public are likely to create surprising encounters and open up unexpected possibilities. Editor: Dr Mary Knights Artists: Ray Harris, Matt Huppatz, Monte Masi, |
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Soft Rebellion
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The importance of simple, small acts of resistance can be significant, providing individuals with important vicarious release and the potential or reiteration of minority viewpoints. Editor: Dr Mary Knights Artists: Stuart Bailey, Carla Cescon, James Dodd,
Paul Sloan |
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Crazy Fingers
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Crazy Fingers has been gathering for over ten years, these five artists explore emotional ambiguous dialogues, across all art forms that are concerned with the laborious process of thought and making. Editor: Dr Mary Knights Artists: Amy Baker, Annika Evans, Brigid Noone |
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Margin to Centre: Visionary Art
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Margin to Centre: Visionary Art is an exhibition of work by artists who are self-taught and have developed their practices outside of mainstream art schools and galleries. Many of the artists have been marginalisation from society because of eccentricity, poverty or illness, or through institutionalisation in prisons and psychiatric hosptials. Although grouped together as 'Outsider Art' the work is idiosyncratic reflecting, not a style or a movement, but a range of very disparate visions. Editor: Dr Mary Knights Artists: Vittoria Ban, Howard Finster, Iris Frame,
Anne Marie Grgich, Bronco Johnson, Albert Louden, Anthony Mannix, RA
Miller, Frank Phelan, Jungle Phillips, Jose dos Santos, Gerard Sendrey,
Mary T Smith, James Son Ford Thomas, James T Thomas |
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Every day the possible
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Everyday the possible investigates how 'affect' can be realised through visual art practice as a poetic expression of uncertainty. Editor: Dr Mary Knights Artists: Sonia Donnellan, Anna Hughes, Sonja Porcaro
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Bethink
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This exhibition recalls, reflects upon, and considers the four artists' family stories, experiences of childhood and their significant others. Bethink is a part of the Visual Arts Program, Feast Festival 2011. Editor: Dr Mary Knights Artists: Susan Bruce, Gary Campbell, Michael Gabbedy,
Keith Giles |
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2010
Temperature
| Through experimental art practices
that engage with sculpture, painting and installation, Anton Hart and
George Popperwell will work collaboratively to build an immersive and
site-specific exhibition that engages with human tragedy and
heart-break. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Anton Hart and George Popperwell External Scholar: Dr Michael Tawa PDF file (6.55mb) |
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Heartlines
| Heartlines is an
installation and performance project engaging with transient emotions,
connections, things hidden and restrained, the beautiful and the
terrible. Inspired by Paul Grabowsky's theme for the 2010 Adelaide
Festival of the Arts, the artists in this exhibition have approached the
perplexing mysteries of matters of the heart from wildly different
perspectives. Creating an entangled web, ideas converge and intersect in
space and through time. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Dave Archer, Amy Baker, John Barbour, Troy-Anthony Baylis, Margit Bruenner, Chris Boha, Steven Carson, Gary Campbell, Johnnie Dady, James Dodd, Annika Evans, Nicholas Folland, Jimmy McGilchrist, Keith Giles, Michael Geissler, Anton Hart, Louise Haselton, Julie Henderson, Shaw Hendry, Rachel Hurst, Ray Harris, Matt Huppatz, Kay Lawrence, Jane Lawrence, Brad Lay, Jessie Lumb, James Marshall, Monte Lawton Masi, Irmina van Niele, Brigid Noone, Amy Patterson, Andy Petrusevic, George Popperwell, Deb Prior, Mary-Jean Richardson, Toby Richardson, Linda Marie Walker, Angela Valamanesh, Pam Zeplin Curator: Dr Mary Knights PDF file (6.63mb) Insert file (244kb) |
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Naturally Disturbed
| Naturally Disturbed is
the result of an interdisciplinary collaboration between Sue Kneebone
and Dr Philip Jones. The exhibition engages with the complex history,
intersecting narratives and unexplained absences that relate to Yardea,
a pastoral property in the Gawler Ranges in South Australia, once
managed by Sue Kneebone's great grandfather. The exhibition is
underpinned by research into family, history and place, and considers
the roles that environmental philosophy and fieldwork play in
contextualising histories. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artist: Sue Kneebone Curators: Sue Kneebone and Dr Philip Jones External Scholar: Dr Philip Jones PDF file (972kb) |
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Intimate Immensities
| This exhibition challenges design
related partnerships and pairings from the architecture and interior
architecture disciplines to investigate Bachelards abstract idea of
intimate immensity as a series of 3 dimensional propositions, within a
unifying spatial installation prompted by the curators research in
theories of the everyday.
Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Damien Chwalisz, Matt Davis, Sally Davis, Michael Geissler, Sean Humphries, Rachel Hurst, Jane Lawrence, Katica Pedisic, Sasha Radjenovich, Linda Marie Walker, Phil Walker, Hannah White Curators: Rachel Hurst and Jane Lawrence External Scholar: Dr Karen Burns PDF file (1.57mb) Insert file (139kb) |
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Flight of a bird, life in performance
| Flight of a bird, a life in
performance explores psychological and physical risk through the
artwork of Ali Baker, Linda Lou Murphy and Yoko Kaijo. As well as
maintaining independent practices, these three Adelaide based artists
worked collaboratively as shimmeeshok, performing in galleries
and devising guerrilla street works. This exhibition, curated by Keith
Giles, Ali and Yoko, includes archival video, sculptural installations
and new performances. Exposing the inherent frailty and pain of being,
the work is fragile, intense and sometimes disturbing.
Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artist: Linda Lou Murphy Performances: Ali Baker and Yoko Kajio Curators: Ali Baker, Keith Giles and Yoko Kajio PDF file (1.06mb) |
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Three ways to hold
| Three ways to hold is a
cross-disciplinary dance/visual art work, joining Bridget Currie and
Alison Currie as collaborators. Both Alison and Bridget have a long
history of making works on the edges of their expected domains. Looking
for the spaces in between, the unnoticed and the frictions between
forms. This heightened attentiveness to the world around us exposes a
multitude of small delights and things unnoticed, a prevailing interest
of both artists. In observing this, as a viewer, one must ask what is it
we are not noticing? Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Alison Currie and Bridget Currie External Scholar: Solon Ulbrich PDF file (185kb) |
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Az Zaban-e Modari:
Raqs-e Aab Raqs-e Setareh
| All that I do, all that I am, all
that I love and all that I resist are from my mother tongue. My
encounter with these notions is the reflection of a sensibility; that is
hope, arising from Persian mysticism and Bahai literature, to give a
tone of optimism towards universal human values where resistance,
equity, love, being, beauty and truth are implemented to deal with
history and explore issues pertaining to the human condition - Siamak
Fallah. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artist: Siamak Fallah Poet: Manoochehr Fallah External Scholar: Professor Nikos Papastergiadis PDF file (2.2mb) Insert file (61.5kb) |
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2009
Dark Dreams + Fluorescent Flesh
| Dark Dreams + Fluorescent
Flesh, curated by Mimi Kelly, explores contemporary representations
of female desire and sexuality. The exhibition includes artwork by five
Australian artists,Bianca Barling, Pat Brassington, Jane Burton, Mimi
Kelly and Monika Tichacek, whose practices span photography, video
performance and installation. Intense, playful and at times confronting,
the exhibition resonates with a dark gothic sensibility and the artwork
references film noir, horror, surrealism and pornography. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Bianca Barling, Pat Brassington, Jane Burton, Mimi Kelly, Monika Tichacek Curator: Mimi Kelly External Scholar: Dr Adrian Martin PDF file (1.72mb) |
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K2-02
| Playful and challenging,
K2-02 is the result of an interdisciplinary collaboration between
Stephen Loo and Michael Yuen. Loo is an architect and academic, Yuen
trained as a composer and creates installation-based work using a
combination of abstract sounds, images and experimental interactive
technologies. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Stephen Loo and Michael Loo External Scholar: Dr.Ross Gibson PDF file (147kb) |
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After the goldrush
| The idea for this combination of
works germinated in conversation with Joe Felber as he showed me a
series of photographs he had taken of the Alps in his native
Switzerland. The images were austere and pristine, the mountains
apparently timeless/immutable/untouched: eddies of mist, drifts of cloud
the only visible signs of temporal or physical change. Depicted in
crisp, richly toned black and white they held an aura of documented,
hushed permanence - Lisa Harms. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Joe Felber, Sasha Grbich, Lisa Harms Curator: Lisa Harms PDF file (346kb) |
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Chance Encounters
| The curatorial premise and the
exhibition title are derived from Andre Bretons phrase as beautiful
as the chance encounter, on a dissecting table, of a sewing-machine and
an umbrella. The phrase alludes to the unpredictable ruptures in
the everyday which surprise, shock, upturn order and disrupt normality.
Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Tracey Allen, Bianca Barling, Barbara Campbell, Jim Everett, Nicholas Folland, Louise Haselton, Aleksandra Mir, Anne Mestitz and Elizabeth Woods. Curators: Dr Mary Knights and Maria Kunda External Scholar: Jim Everett PDF file (863kb) |
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Traces
| Drawing / Environment /
Sustainability Traces is the first in a series of exhibitions and collaborative projects designed to celebrate the diversity of work undertaken by artists and designers at the School of Art, Architecture and Design (incorporating the South Australian School of Art and the Louis Laybourne-Smith School of Architecture and Design), University of South Australia. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Artists and Designers from the School of Art, Architecture & Design Curator: Dr Mary Knights PDF file (1.1mb) Insert file (52.2kb) |
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Baseless Propositions
| Baseless Propositions by
artists Zoe Marr & Johnnie Dady. Vessels are land that has let go, a rolling up of the edges into a containing cup (like hands cupped to protect). We can climb up and peer over the raised edges. We push and elongate the cup into a direction, a shape to fit coming and going. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Zoe Marr and Johnnie Dady PDF file (1.87mb) Insert file (54.1kb) |
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The Ends of the Earth
| The Ends of the Earth
by Jane Castle & Linda Dement is an installation of leaking and
congealing blood, video loops on hacked digital players, anomalous
machinery and a soundscape from recordings made at the ends of the
earth. We are now in the process of shutting down our life support system. The challenge for every single human being is enormous: do we have vision to see our interconnectedness? Do we have the will to act on it in time to save ourselves? Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles Artists: Jane Castle and Linda Dement PDF file (1.53mb) Insert file (189kb) |
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Isolation
| Isolation is the
celebration of each of the graduating students developments and
achievements over the period of their degree. This exhibition showcases
over forty emerging artists from an array of disciplines the school has
to offer, every work giving insight to the personal development of each
creator. Editor: Dr Mary Knights Catalogue design: Keith Giles Catalogue project management: Dr Mary Knights & Keith Giles PDF file (2.68mb) Insert file (40.6kb) |
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2008
This everything water
| This everything water is an exhibition of work by Kay Lawrence, Bardi artist Aubrey Tigan from
Djaridjin, and Nyigina Law Man, Butcher Joe Nangan. The exhibition,
which is part of the 2008 Adelaide Bank Festival of Arts, explores the
iridescent and material qualities of pearl shell, and the symbolic
meanings attributed to it by Indigenous and non-Indigenous people.
This everything water is underpinned by research undertaken by
Lawrence into shell harvested in the early 20th Century around the
Dampier Peninsula, a remote area north of Broome. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Kay Lawrence with Aubrey Tigan and Butcher Joe Nangan Curator: Kay Lawrence External Scholars: Professor Diana Wood Conroy, Kim Akerman and John Kean PDF file (5.9mb) |
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Gathering loss
| Gathering Loss is an
exhibition of work by Irmina van Niele that explores cultural and
emotional attachment to place and the effects of displacement and loss.
Using processes that are obsessive and repetitive - such as making
collages from hundreds of cut-out paper images of buildings and people,
and knitting striped pastel patches out of old plastic bags - Irmina's
work evokes fragmentary and incoherent childhood memories, nostalgia and
a sense of instability. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artist: Irmina van Niele External Scholar: Anne Brennan PDF file (2.3mb) |
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Cinderella II - The Dreamer
| Cinderella II
- The Dreamer is an
exhibition of work by Gosia Wlodarczak that engages primarily with
drawing, but also incorporate elements of sound and video into
installation and performance. In her art practice Gosia equates the
reality of 'being'
with seeing. Engaging with time, space and place her drawings reflect
what she sees existing in the immediate proximity of the space
surrounding her. As she states: 'I draw my
environment as I see it in real time - tracing
and re-tracing the visible...'
(Gosia
Wlodarczak March 2008) Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artist: Gosia Wlodarczak Curator: Olga Sankey External Scholar: Dr Ian McLean PDF file (3.1mb) |
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Line Drawing
| Curated by Linda Marie Walker,
Line Drawing engages with notions of line, spatiality and drawing from a
range of interdisciplinary positions. Using the SASA Gallery as a
project space, Julie Henderson, Bianca Hester and James Geurts worked
with Teri Hoskin, Domenico de Clario and the curator. While working
towards installation, performance and publication outcomes, this project
focuses on process, generative and open-ended possibilities. The nature
of the work was not predetermined and the artists explored connections
and intersections across concepts and art practices.
Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: James Geurts, Julie Henderson, Dr Bianca Hester, Dr Teri Hoskin Curator: Dr Linda Marie Walker External Scholar: Professor Domenico de Clario PDF file (1.8mb) |
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The Constance Gordon-Johnson Sculpture and Installation Prize
| Since 2004 the Constance
Gordon-Johnson Prize has recognised the outstanding achievements of four
emerging artists from the Sculpture and Installation studio of the South
Australian School of Art. The event however is more than a generous cash
prize for an individual artist. Since the inaugural exhibition we have
presented the work of 26 talented and committed emerging artists. In
some cases this has been the first professional opportunity the artists
have had to present their work, in most cases it has been the first of
many professional engagements the Sculpture and Installation Studio
Alumni have enjoyed. PDF file (559kb) |
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Shards
| Shards is one of a series
of research based exhibitions that engages external scholars to
participate in the SASA Gallery's exhibition
and publication programs. The external scholar for this exhibition is
Brenda Croft, Senior Curator, Indigenous and Torres Strait Islander Art,
National Gallery of Australia. As well as writing an essay for the
catalogue, Croft will participate in events
associated with the exhibition. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Nici Cumptson, Yhonnie Scarce, Judy Watson Curator: Dr Mary Knights External Scholar: Brenda Croft PDF file (14mb) |
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The Green Candle
| The Green
Candle is the result of a collaboration between Dr John Barbour and
Paul Hoban. The exhibition is based on the artists' ongoing interest in
each other's ideas and explores the connections and differences evident
between their art practices. Barbour and Hoban are academics connected
with the South Australian School of Art. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: John Barbour and Paul Hoban External Scholar: Dr Russell Smith PDF file (5.2mb) |
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2007
Quirk
| Quirk brings together contemporary
artists from Tasmania and South Australia who explore the abject and
perverse through their work. Developed for the 2007 Adelaide Fringe
Festival, this exhibition is intended to expose artwork that is quirky,
playful, weird and a little obsessive. The artists Sonia Donnellan,
Amanda Robins, Rebecca Knapp, Anna Phillips, Mish Meijers, Tricky Walsh
and Pamela Zeplin address the curatorial premise from a diverse range of
perspectives and use media and techniques that range from band-aids and
embroidery to film and installation.
Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Sonia Donnellan, Rebecca Knapp, Mish Meijers, Anna Phillips, Amanda Robins, Tricky Walsh, Pamela Zeplin Curator: Dr Mary Knights External Scholar: Sean Kelly PDF file (5.1mb) |
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The Dream Republic
| The Dream Republic,
curated by Pamela Zeplin, is the culmination of a seven week residency
undertaken by Indonesian artist Heri Dono in Adelaide. Dono has
developed an international reputation for his work that is both
unsettling and whimsical. In his art practice, which embraces
installation, wayang puppetry, video, performance and collaboration,
Dono engages with contemporary social and political issues and explores
the position of the individual in society. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Heri Dono Curator: Dr Pamela Zeplin External Scholar: Jim Supangkat PDF file (5.9mb) |
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Strangely Familiar
| Strangely Familiar
[working title] is the third in a series of exhibitions of work by
artists and designers from RMIT University and the Louis Laybourne Smith
School of Architecture & Design, UniSA. These exhibitions, which
have been staged in Melbourne and Adelaide, provide the opportunity for
experimental, interactive and evolving design processes to be explored.
Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Suzie Attiwill, Matt Davis, Michael Geissler, Leah Heiss, Rochus Urban Hinkel, Rachel Hurst, Roger Kemp, Jane Lawrence, Stephen Loo, Andrea Mina, Gregory More, David Morris, Sean Pickersgill, Linda Marie Walker, Sue-Anne Ware Curator: Dr Gini Lee External Scholar: Professor Paul Carter PDF file (4mb) |
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Years without magic
| Years without
magic is an exhibition by Louise Haselton
and Bridget Currie in which they explore 'connections
and commonalities' in their work. Ideas
intersect and resonate. The discarded and banal transform into things
golden, mysterious and whimsical. Often seamless sculptural and
installation practices are problematised. Traditional techniques such as
metal casting are juxtaposed with the slipshod and cobbled together; the
materiality and inherent qualities of found and made objects fascinate
and repulse, and works carefully placed in the gallery space are
contrasted with others randomly dropped during a performance. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Louise Haselton and Bridget Currie External Scholar: Lisa Kelly PDF file (5.5mb) |
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Transmission
| Transmission is a group
exhibition by members of the Digital Art Research Experiment (DARE).
This exhibition is the fifth in a series that invites external
scholars, as well as local, interstate and international artists and
designers, to participate in the SASA Gallery's
exhibition and publication programs. Dr Anne Marsh, Associate Professor,
Theory of Art & Design, Faculty of Art & Design, Monash University, is
the external scholar participating in this exhibition. Her research
areas include photography, feminism, postmodernism, psychoanalysis and
performance art. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Di Barrett, Greg Donovan, Andrew Hill, Mark Kimber, Toby Richardson, Olga Sankey External Scholar: Dr Anne Marsh PDF file (1.7mb) |
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The Ranger
| The Ranger is one of a
series of research based exhibitions that engage external scholars to
participate in the SASA Gallery's exhibition
and publication programs. Dr Pat Hoffie is Associate Professor at
Queensland College of Art, Griffith University. Her research, artwork
and writing are informed by myths and delusions about Australia's
history, relationships with other societies and inequities of cultural
power particularly in the Asia Pacific region. Lola Greeno is a
Tasmanian Aboriginal artist and arts administrator with Arts Tasmania.
Greeno is best known for her necklaces made from shells including black
crow, cockle and the iridescent blue-green maireener shells. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artist: Julie Gough Curator: Dr Mary Knights External Scholar: Lola Greeno and Dr Pat Hoffie PDF file (9.1mb) |
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Spill
| Spill is one of a series
of research based exhibitions that engage external scholars to
participate in the SASA Gallery's exhibition
and publication programs. The external scholar for this exhibition is Dr
Divya Tolia-Kelly, Lecturer in Human Geography at the University of
Durham. Her research explores issues of ethnicity, identity and cultural
values and their impact on understanding affectual and emotional
responses to landscapes. While in Adelaide, as well as writing the
catalogue essay, Tolia-Kelly will participate in events associated with
the exhibition, including a symposium developed in partnership with the
Cultures of the Body Research Group, School of Communication, UniSA. Editor: Dr Mary Knights Catalogue project management: Dr Mary Knights Artists: Ruth Fazakerley and Agnieszka Golda External Scholar: Dr Divya Tolia-Kelly PDF file (1.2mb) |
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